The Cross in the Notary Symbols
Through the centuries there has been in Spain a grand progression of
symbols used by notaries, beginning in the 10th century.The reason for
their creation and development allows us to speculate to the importance
of the documents upon which they appeared. Even though notary symbols
are not true symbols in the formal sense of the word, they can been seen
as such in so much as they have at their centre the symbol of the cross.
A cross that very quickly became surrounded by squares, rosettes and flowers,
changing and almost being lost through the centuries on to the modern
age. In some modern notary symbols the cross is still pertinent, perhaps
as a reminder of past times, but perhaps with nothing to do with them.
The use of a symbol in documents coming from times previous to the advent
of notaries might have something to do with the influence of royal documents,
and those of important people; but having nothing to do with latter notary
symbols.
So in their infancy these symbols were fairly small and simple, made
up of swirling lines generally taking as their starting point two letter
"S" es perhaps representing an abbreviation of the word Subscripsi,
or perhaps coming from the cross accompanied by various adornments often
found in notary symbols. At the end of the 13th century, and increasingly
in the 14th and 15th, these signs became more complex, incorporating flowers,
embellished squares, and scrolls work, along with other ornamental motifs
of the age to the standard cross.These ages saw the use of rounded geometric
forms, such as an arch placed under the base of the cross, and rounded
lines forming flowers from the cross's arms. Rose and rosette patterns
created an image that might have symbolised life or mortality: The circle
representing protection and limits.
Square shapes were also often used in the language of symbols. They
represented stability in their angular essence. They must be connected
in meaning to the cross, as it functioned as a symbol of synthesis and
measurement.
The documents presented here give a clear idea of the use of notary
symbols in all kinds of public documents. The symbols take form in various
esthetic compositions and in combinations reflecting the imagination of
their inventors. The only limits being the notary's creative abilities
and his handiness with the quill.
The variety and diversity of the symbols leads us to think that they
were used to establish the individuality and the traditions of their authors.If
we compare the complexity of the latter symbols with the earlier ones,
(that followed the example of Rolandino, who advised to use a "signum
leve" a light symbol to facilitate its use), we are lead to believe
that even in those following centuries notaries had time enough to create
elaborate symbols, a detail probably admired by today's member of this
profession, time enough to create symbols that revealed their creators'
personalities and their artistic ability.
MJJ
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Iohannes Iohannis. Year 1285,.
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Johan Perez. Year 1322.
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Fernan Abril. Year 1323.
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Dominicus Petri. Year 1284.
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Sueyro Martinz das Encroues. Year 1325.
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Affonso Mouro. Year 1347.
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Garçia Suares das Encrouas. Year 1363.
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Aluar Perez Puquerino. Year 1378.
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Alfonsus Lupi Galos. Year 1487.
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